dok.revue 1.17

ThemeHaptic/Visual Identities – A project between art and researchAgata Mergler and Cristian Villavicencio about their haptic camerasAgata Mergler, Cristian Villavicencio
SportCzech Documentary AlchemyAmerican freelance critic Daniel Walber examines alchemy within contemporary czech experimental movies which were screened at the 20th Jihlava IDFF in the Fascinations: Exprmntl.cz section.Daniel Walber
InterviewIt Was the Difficulty of Being ThereAn interview with two co-authors of the Best World Documentary Film award winner at the 20th Jihlava IDFF called Spectres Are Haunting Europe.Jitka Lanšperková
InterviewI Just Wanted to Record the Workplace I Am Part ofAn interview with Aitziber Olaskoaga, whose mid-length documentary Smiling on the Phone received the Special Mention from the sole juror of the Opus Bonum section,Claire Atherton at the 20th edition of Jihlava IDFF.Jitka Lanšperková
InterviewIt’s Not Easy to Get Rid of Ideas Once They Are Written DownInterview with Salomé Jashi, the director of the Best Documentary Debut and the Best Central and Eastern European Documentary Film at the 20th Jihlava IDFF called The Dazzling Light of Sunset.Jitka Lanšperková
video dok.revueThe response 'For no reason' is a genuine answerMasterclass: Flatform
video dok.revueMundane situations with subtle transcendental poetic visualMasterclass: Viktor Kossakovsky
video dok.revueSyrian football coach as a refugeeOpen class: Osama Abdul Mohsen
video dok.revueCombining artistic reflections on the documentary genre with contemporary political dilemmasMasterclass: Thomas A. Østbye
video dok.revuePussy Riot as an opposition to the current political system in RussiaOpen Class: Marija Aljochina




1.17
DOK.REVUE
03. 02. 2017

All great fiction films tend toward documentary, just as all great documentaries tend toward fiction... He who opts wholeheartedly for one necessarily finds the other at the end of his journey.

Jean-Luc Godard
video dok.revue

20th Jihlava IDFF

Masterclasses and Open Classes